![]() Good news, says Ian Malcolm, testifying before Congress-let nature take its course and return these beasts to their correct state of extinction. The film begins with the surprising revelation that the volcano on Isla Nublar, the Costa Rican island on which multiple dinosaur theme parks (first Jurassic Park, then Jurassic World) were constructed and abandoned, is about to explode. Bayona, the Spanish director who first emerged with his terrific horror film The Orphanage, does his best to inject some more intimate action into a series that usually operates on an epic scale, but he’s working with too absurd a plot for his craft to really matter. These are men standing on the shoulders of geniuses (namely, Steven Spielberg) and selling a half-baked cash-grab-an echo of a blockbuster that packs in the requisite sights, scares, and thrills, but has no real reason to exist. Bayona (Trevorrow, with his collaborator Derek Connolly, wrote the script). How else to describe the Jurassic World trilogy, which began in 2015 with Colin Trevorrow’s reboot/sequel and is continued here by J.A. ![]() “You stood on the shoulders of geniuses to accomplish something as fast as you could, and before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now, you’re selling it,” Malcolm rants, furious at the park’s tawdry use of its incredible dinosaur-cloning technology. Ian Malcolm (Jeff Goldblum), a character in both this film and the 1993 original. To the creators of Jurassic World: Fallen Kingdom, I offer words of wisdom uttered 25 years ago by the legendary Dr.
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